We play music in schools. We play music in important
occasions like weddings, birthdays, etc. we play music in religious ceremonies. If
music is everything; peace, love, and salting away of boredom, if music acts as
an antidote to aggression and hostilities, if music is the mastery way of educating
people and upholding cultural heritages, then it is worth knowing and understanding
it.
Music is part of
our lives. Music is the friend and the comforter of one’s life. A piece of influential
tuneful music has arisen towards curbing disruptive and abusive behaviors. It
entertains us. Many juvenile people in and around the world are going to
musical concerts and are glued to iPods, tapes, and TV shows. They memorize and
hum songs, oldies too do; inside the bus, in the bathroom, and many other
places music humming can be heard.
Music is part of every
culture on Earth. Many people feel that music makes life worth living. Music
gives us pleasure. It can cheer us up, excite us, or soothe us. It is a form of
communication to human beings. It is a form of beautiful expression.
Yesterday, I
heard one of our Dzongkha Lopens, blaring inside the school toilet, the song
called, ‘Zamling Nang Gi Atsara Nga.’ In fact, he was making a racket. He was
shaking his voice as if he was doing some kind of exercise inside. Anyways, I
love that song. It talks about how unstable our minds can be at times. How we
play the role of the Atsara, a fool clown. I like the song.
Taking this into account, many countries value music,
whether pop or jazz or country. They have, therefore, music awards for the best
singer, the best lyrics, and the music. People are rewarded for their toils.
Music is grade according to the sales of copies. The most marketed records are
considered the finest. So they have top ten, top twenty and etc.
We have shows like Druk Superstar, which enhances Bhutanese
music. Looking at the organizer, and the way it’s being organized looks like
that show like this is hard to stand on its own feet without good support
from the people. First, they have to force people to vote, second, they have to
look for sponsorships, which may be very meager. And the third, participants are
given less than what they have been working tirelessly; to learn three genres;
Boedra, Yungdra, and Rigsar, and to uphold them. Is it the prize for trying and
spending lots of time? Is there scope
for them to survive? I didn’t hear people getting rich in Bhutan because of
singing, or dancing. If so, he/she must leave the country and start a career in
other musically rich countries.
Society as a whole think that music is insignificant, and
we, therefore, take it for granted. Even though every region has rich folk
songs, compositions, etc, we are not aware of our own pieces. We tend to copy
and reproduce other songs especially that of Hindi. In Bhutan, the music industry
is growing, music fans are waiting for the best and fresh type of music. A
different genre, and an uncommon one. Who can satisfy?
We must explore.
At present, we lack music. If you haunt and look at any
household in Bhutan there may be one Bhutanese cassette/CD out of twenty or
more Hindi and English cassettes/CDs. Who can encourage our own kind of music
in the Bhutanese population?
I personally feel we can upgrade music by establishing
musical halls in the country, and doing a musical competition and placing them in the top ten, and rewarding them. They must be rewarded frequently from different
areas? How about Bhutan’s monthly top
ten? TV, radio, newspapers, and magazines could help them to promote and widen
Bhutanese music in Bhutan. In this way, we can encourage Bhutanese music, and in
this way, we can make every Bhutanese hum rich Bhutanese song.